MSE runs on a simple division of labour — one founder researches and shapes the strategy, the other builds it into something you can hold, wear, hang, or click. Nothing gets handed off between agencies. It stays between the two of them, and now, between you and them.
Photo of Eydie SchultzEydie runs the studio's research bench — testing substrates, press techniques, and platform stacks before a single job goes to print or to production. She's also spent years mentoring early-stage founders through their first product and brand launches, and that instinct shapes how MSE scopes every job: understand the problem fully before a plate or a pixel gets touched.
Photo of Shahid SharifShahid is the hand behind the work — translating Eydie's research and a client's rough idea into finished plates, files, and pixels. From colour separations for a four-colour offset run to a motion sting for a product launch, he's the production discipline that keeps MSE's promises on schedule and on brand.
MSE exists because most studios make you choose — a print shop, a design freelancer, and a web agency, three invoices and three timelines. We run it as one job ticket instead.